Bormioli Rocco Frigoverre Replacements Happy (?) Birthday Near!

Yay! When I finished with this, I hate how I was but I could not forgive not celebrate another añito Nia-tan (yes, I am very fail to cumpleños of my favorite characters * drop *). Boh, I hope that if someone reads it not murder me with his Death Note (or send me to kill one) just my private life is complicated = A =

Title: Paranoia
Fandom: Death Note
Claim: Near (Near / Mello implied?) Oh, and Kuro! Nia is owned by Kurosaki-Akane (can not remember if I got on the other hand * drop *)
Length: 256 words .
WARNING: to see ... EPIC! FAIL, can be OoC? No s & amp; eacute;, what they like [spoiler] death of a character [/ spoiler]

Paranoia

When L was forced to leave the world, let ; to three children from the destination, the stigma of taking his place so he thinks Near.

Now he is L.

-Leaving everything behind you ever had?

-No. By anything or anyone.

debate inside The boy, at age 19 had grown considerably and his mind was becoming m &you; techniques things that survived the chaos.

-Vanish, outta my head ... Go.
- Why? Do not like to remember that since then have failed and want to stay incomplete? Nate ... I too want


Hands grip the weapon de Mello, one of the few objects that he kept ", feeling the cold touch that gives the trigger behind your ear.

"Say, say what you want and will comply.
"Go ... Go ...
A pair of red eyes stare at him, covered by white tufts

Small Tundra Skidoo For Sale

THE MYTH Vampires in LA OBRA "CAPITAL" OF KARL MARX

Getzemaní González Castro

What

, both the unconscious influence of a society where an individual's personal life? Symbolic creation of culture within a society may be denied under certain parameters and some more questionable. They are extraordinary individuals who dare to break the mold. Marx is a leading figure in the nineteenth, but qu & eacutesurprisingly sharp Marx made analogies between the vampire and the capital, in fact, capital is dead labor that feeds on the living blood of workers and thus perpetuating the death and decay. Is a correct analogy because the myth in that voice of the people is a vital mirror which should reflect the fears, but ... why we all love the myths about vampires and ghosts? Because they represent the struggle between good and evil, that angry strife that leads us to shed the last drop of blood to defend what is right, what is good. Vampires, in the symbolic world of social psyche, an evil, likethe workers to continue living, for food, but nevertheless becomes something that stays alive but dead (dead labor.) Now, Marx to make the analogy of capitalism with the vampire myth gives capitalism a erotic value, this, only deceptive, it's attractive, symbolic for sexual possession by sucking the life blood of the workers, the sinister and the erotic are joined in a same point to seduce, but what Marx says is dangerous! It is seductive but end up dead, dead food. The vampire is therefore figure to fight evil and capitalism, because capitalism seizes the soul orary to exploit it, appropriating his work and increasing their capital through capital appreciation. The capitalist, then, who subjected their victims regardless of age of these, like the vampire, does not care if he appropriates man, woman or child, what matters is to live at any price. Thus, we analyzed this analogíay conclude that we bury a stake through the heart of capitalism, the workers have to fend off the snake of its torments, these proletarians are collective representation rather than by revolution, capitalism positively overcome by imposing a communist society,banishing evil, killing the dead, the vampire. And then the dead to live well and joy.